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The Museum Methonymies

The Textual Exégesis of Visual Culture between Semiotic Theory and Posmodern Anthropology

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"The Metonymies of the Museum: The Exegesis of Visual Culture between Semiotic Theory and Anthropology" is a book on semiotic theory and cultural anthropology of the museum that develops and proposes the concepts, categories, notions, terms, parameters, and axiological clarifications required for the development of interpretive, hermeneutic, and textual and textualized readings of visual culture phenomena, as they are expressed in the museum or in our understanding of culture according to the museum. That is, in different forms of memory and cultural heritage considered in a visual sense, from collecting, restoration, or conservation, through museography itself and the visual expressions of the museum in culture, to various modalities of visual culture associated with memory, imagination, and subjectivity in ancient cartographies, the visual as expressed in the immediacy of everyday life, or in empirical fieldwork, or in contemporary art. Beyond internal considerations of the museological and museographic universe, where concepts are restricted to issues of exhibition design, although without excluding them, since the book in fact also includes a chapter referring to a specific curatorial and museographic practice, as well as a chapter on Postmodern Work, in general, the book develops and proposes a broad and comprehensive perspective for the theory and practice of interpretation, reading, and textual elucidation of the visual, with a methodological, theoretical, and axiological scope for theory and empiricism around a wide variety of museum types, from anthropology and archaeology museums to contemporary art museums. More than a book about the museum, it is a book about how to read, interpret, and elucidate, from the theory of the text, phenomena of visual culture according to the museum leer todo...

editorial
edición del autor
disponibilidad
impreso bajo demanda
ISBN
978-0-7475-4950-5
año edición
2025
n° edición
1
categoría
Antropología y arqueología
n° páginas
536
formato
17 x 24 cm (sin solapa)
encudernación
Rústico (pegado)
papel
Papel Blanco 75 Grs
color
Blanco y Negro
Abdel Hernández San Juan

Abdel Hernández San Juan, American theorist and thinker of Cuban origin who has developed a return of contemporary thought towards the most abstract classical philosophy (Kant, Hegel), while retheorizing the science of semiotics back to logic and exploring new intersections between abstract classical philosophy in a phenomenological and hermeneutic sense, logic (Hegel, Husserl), etc., phenomenological sociology (Alfred Schutz), semiotics of art and culture and cultural anthropology. Very abstract thinker of hard sciences (metatheory and metaempiria), empirically specialized in language sciences, theoretical linguistics (Ferdinand de Saussure, Roman Jakobson, Louis Hjelmslev, Emile Benveniste, etc.), semiotic theory (Charles Sanders Peirce) and in philosophy and theory of art, he has focused on the interdisciplinary development of the new field leer todo...

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